And on top of that, there were also two brand new originals as part of this project. I had started working on New York City (Take Me Away) with Adina Butar just before the sessions for the original album were wrapping up, and it was a small thing we had done together for the Watch the World album tour in New York. But because it was so popular with the fans, not only from NY but from other cities that I was playing it, we went back into the studio and turned it into a full blown song.
The other exclusive original is a 14 minute instrumental piece titled Luce Prima, which was made for my set on the main stage at Tomorrowland for their Daybreak Session this year. The idea was that I would bookend the set with this track as the opener and the closer, and what you hear on Watch the World Deluxe is that effort combined into one track.
What's next for Markus Schulz? Any new update on your Dakota project? I'm assuming you're taking a break from albums for a while.
The next album is coming quite soon actually! It will indeed be the new Dakota album titled The Nine Skies, and it is based on the live show of the same name that was showcased at events such as EDC in Las Vegas and Transmission in Melbourne this year. The music presented is within an overall journey - where we begin as lost souls, and encounter the nine steps in life towards enlightenment.
You will be familiar with three tracks from the album already - the singles Mota-Mota (with Koen Groeneveld), Running Up That Hill (with Bev Wild) and In Search of Something Better. The next single comes out on November 13th, and that will also be this year¹s official theme for Transmission in Prague titled The Spirit of the Warrior. The set in Prague is also going to be filmed for DVD, which will be part of a special limited edition package for the album.
The Nine Skies has been a deeply personal project. I always describe the music I make as Markus Schulz, such as the Watch the World album, the live sets, Global DJ Broadcast and so on, as being for the fans - the people who mean so much to me and resonate on my frequency. But with this Dakota project, I needed to do this for me. I needed to look deep inside of my soul, travel through troubling waters and suffer through tears in order to make this show a reality. I can¹t wait for the world to hear the final product.
And as well as that, I recently finished a mix for the next installment of Talla 2XLC¹s legendary Techno Club CD compilation series, which will be coming out in the German market on December 1st.
You've got upcoming gigs in Toronto and Ottawa this month. How will those shows differ from your festival and open to close sets?
Rebel in Toronto on the 17th is going to be insane, because it¹s going to be alongside close friends Cosmic Gate, as well as Jason Ross who has made grand strides himself in recent years. And Barrymore¹s in Ottawa will be great too; I had such a fun time playing there before. Of course Toronto and Montreal are always going to be big time shows, but I value coming to the likes of Barrymore¹s in Ottawa and Beta in Waterloo because there is a lot of gratification in playing for the fans in those intimate environments.
Toronto is going to be a big event, so having the unheard Dakota tracks from The Nine Skies will be important material to showcase. And with Ottawa, it will be a case on reading the vibe of the crowd on the night; reacting to how they are feeling and taking them on whatever journey they desire.
It will be my final shows in Canada this year and I¹m determined to go out with a bang, because the country has been very good to me throughout 2017.
Who's an up and coming producer that fans should keep an eye for in 2018 and why?
If I could mention more than one, I would have to include the guy who for me is representing Canada so proudly with how his career is progressing, and that is Montreal¹s Solid Stone. He was quite a broad-ranging producer a few years ago, but decided that the deeper progressive sound was where his heart lay; and he has gone on to become one of the biggest contributors in that genre right now. I¹m really proud of how he¹s playing an ever increasing role in the clubs through our Coldharbour Nights worldwide.
The second instalment of Solid Stone's We Are One EP series is coming to Coldharbour before the end of the year, and you will have heard some of the tracks on the special Global DJ Broadcast Afterdark mix, as well as the recent World Tour from Stereo in Montreal.
And I also have to highlight the UK brotherly duo Arkham Knights, who are really hitting their stride these days. Their sound reminds me of the kind of tech-trance that was prominent in Tiesto¹s sets back when he was top of the mountain as far as trance fans were concerned.
Their current single Gravity is one of the biggest tracks in my live sets all year long, and they have already fueled my current sets with their next tracks which will be coming out on Coldharbour early next year. They had a great time playing at New City Gas in Montreal back in January, so I need to get them over to Canada more often.