Mat Zo releases a retro house/funk track for free

Mat Zo went on Twitter today to declare that he will be releasing music for free from now on. He started off the giveaway by uploading this throwback house/funky tune named "Oldskool Trip", check it out: 

To get this as a free download, click here. 

Could this new free giveaway attitude by Mat Zo be the result of the low royalties that he received in the first quarter for his debut album "Damage Control"? You be the judge: 

Combine this news with the recent revelations by Nick Thayer on his music and travelling income, we have to concede that the real money being made within the EDM world is concentrated heavily at the top. 

The painful reality of making it as an artist within the electronic dance music world

When you're a big headlining DJ travelling the world, earning $200,000 per gig, flying in private jets, hobnobbing with stars, with millions of adoring fans, life is good. But to many others just a few rungs down the ladder,  there sits artists like OWSLA's Nick Thayer, who are still globetrotting DJs but is finding it hard to make all of the ends meet.

In his latest Tumblr post, he takes readers into an intimate look at how difficult it is to make it as a thriving artist within the electronic dance music world. He reveals how he had actually LOST money in the release of the "Like Boom" EP, released in 2012. What about touring? Nick Thayer gives us a sobering look at the small profit margin after all of the fees and travelling costs of an average three week touring schedule actually looks like. Here's a snippet: 

"You can usually get the club to pay for a hotel on the night of your show, but that’s it. So that leaves maybe ten nights where you are covering it at $100 a night if you can find it. Often they will be much more expensive so you survive by sleeping on couches in friends’ places every second night. That’s $1687 left. Now pay management 15% and we’re at around $1434. Then there is food to pay for cause you can’t live on bar snacks for three weeks. At $30 per day (that’s $10 for b’fast lunch and dinner) for three weeks is around $600 and at that point all you’re left with is around $800 for three weeks’ work, which is not exactly a fortune." (Click here to read the entire post)

What's the takeaway here? SUPPORT your favourite artists! If you like them, BUY their music, BUY their merch, and of course, attend their shows whenever they play near you. Life at the top of the DJ'ing world seems almost too easy, but it's guys like Nick Thayer and even local talents that we need to keep mindful of in order for this entire scene to thrive. Thanks to Nick for reminding us of this important fact. 

To read the entire Tumblr post, click here. Highly recommended. 

Avicii makes a bold statement with his UMF performance

For those that haven't been following the action from this year's Ultra Music Festival in Miami, Avicii played a different and ballsy set last Friday night by incorporating live vocals, live bands, and even unusual instruments like the kazoo. Avicii used the huge UMF stage to preview his upcoming album, check it out:

​Reactions on Twitter were a mixed bag but mostly veered towards the negative side, while a few blogs including Soundisstyle and Electrojams panned the performance. Meanwhile artists such as Nick Thayer and Tiga have made more supportive statements about the young Swede:

Excerpt from Nick Thayer's Tumblr Blog: (VIA @VanCityDanceNrd)

."..​This was not a spur of the moment decision. This decision was made knowing full well that he would alienate a substantial portion of the people who were there. Knowing that some of those people will never return to his fold. He made this decision as an artist. To refuse to be bound by what people expect, but to be bound by what he wants to say..."
"...So more power to Avicii. It took balls the size of watermelons to step up on that stage and do something so far outside what people were expecting, knowing full well what the reaction would be. Hats off to you sir."


In response to all of the controversy, Tim Bergling aka Avicii has just released a statement explaining the reasoning behind Friday's UMF show:

"Wow. Looks like I stirred up some controversy with my set friday night at UMF. Seeing alot of people feedback who dont understand. My full set wasn't being streamed, only the last 40ish minutes with all new material from my album.

In a 75 minute set, I brought a 15 minute different breakdown with live musicians to a festival with nonstop dance music for 3 days straight 2 weeks in a row . I really wanted to switch things up and do something fun and different, as I always strive for, and this album is about experimentation and about showing the endless possibilities of house and electronic music. Its about how to incorporate acoustic instruments from different styles and influences you wouldnt expect and still stay true to your own sound and musicality which for me has always been about the melodies and positive energy. I will always produce music that I love and listen to. But my album is certainly not "country", and people have gotten hung up on an instrument we used for the live cover of a song. Every song on the album is a fusion with house and electronic music.

We wanted to make a statement, and theres really no better place to make one than UMF mainstage. People will soon see what it's all about.

My music is open to anyone who wants to listen to it and I will always stay true to my sound. Love you all who listen with open hearts and open minds. These past few months Ive been so lucky to have had the chance to work with so many talented artists and to bring them there when I launch the album was amazing and they all did an amazing job.

This was my first time performing with a band and I couldnt have asked for more a professional team, I really want to thank @MichaelEinziger and his fiancee, @vatoben and @JoseAPasillasII from Incubus, @Aloeblacc, legend @Mac Davis, @audramae and @dantyminskii for joining me on stage."

Well said. 

Instead of belting out another hour of bangers and playing it safe for the UMF crowd, Avicii decided to push the envelope ​on what you could incorporate into an EDM track and extend the boundaries of what is considered a live DJ performance. Was every track and risk taken successful that night? Certainly not, but overall I was left impressed with the courageousness of Avicii's set and I look forward to hear the studio version of his album. The combination of Avicii's guest mix on Diplo and Friends and this UMF set, made me see Tim Bergling in a whole new light as an artist with a point of view that is not afraid to move the bar forward. Well done.

OWSLA Tour Review (Ottawa - November 11th, 2012)

The OWSLA tour was something that I have been excited to see ever since they originally announced it a few months ago. Birdy Nam Nam was the primary reason.  But also being able to see MONSTA and Nick Thayer all on the same night for the first time made this event an important one in my calendar.  Ever since Skrillex released the 'Going Hard' Mix video back in July on Youtube, Birdy Nam Nam has been at the very top of my bucket list of EDM acts to watch. The expectations were high for the OWSLA night in Ottawa, but did the event deliver? Hell yes it did and I'll tell you why. 

From their unique DJ set up to how they perform live, everything that Birdy Nam Nam is doing is fresh. Birdy Nam Nam is your answer if you're looking to see something a little bit different from your standard CDJ/Laptop DJ act. Not that there is anything wrong with DJs that use CDJs/Laptops, but Birdy Nam Nam takes what it means to perform live EDM to a whole new level.

Birdy Nam Nam

I'm not quite sure how their live setup works exactly but from what I gathered it looked like each member had a Serato live setup, a Maschine pad, a mixer, and a Macbook. Each member looked like they had control of a certain aspect of the track and manipulated it as they saw fit. The way they set up their live performances I can assume that it will guarantee that no two live sets are exactly the same. This description of their setup is from my personal observations only, but I suspect that I am on the right track.

Birdy Nam Nam was the first act up among the headliners to play at Mansion last night as local DJ @Givehimmeds was given warm up duties. The crowd was sparse by the time Birdy Nam Nam took the stage but that all changed in mere moments as the place quickly filled up as everyone was won over by these four French DJs. Their music and energy was intoxicating as they set the tone with some heavy electro beats that served to electrify the enthusiastic crowd. I could not pick out too many individual tracks as the music all blended seamlessly together in an intricate and creative set. Each individual member of Birdy Nam Nam looked like as if they fed off each other's energy with DJ Pone being the main protagonist in bringing the crowd into their world. This was the first time that I saw Birdy Nam Nam but it won't certainly be the last. If you ever have a chance to catch them live, do not hesitate, and just go.

Following Birdy Nam Nam was MONSTA, the UK trio composed of two DJ/producers (Rufio and Rocky) and one vocalist (Skaar). These guys have recently burst onto the scene thanks to their signing to Skrillex' OWSLA label and the breakout track 'Holdin' On'. How Skrillex first discovered MONSTA was quite interesting because at first he thought that Skaar's vocals were actually an Aretha Franklin sample after his tour manager gave him a MONSTA track to listen to at SXSW. 

MONSTA

Skaar

Ottawa was lucky enough to be MONSTA's Canadian debut on the OWSLA Tour and they definitely left an impression. Their set was essentially divided into two parts. The first part was composed of Rufio and Rocky playing a dubstep infused set with the stand out track being 'Krome & Time - The License (Doctor P Remix)'. This track was also well received when Skrillex also dropped it at Bluesfest back in July. The second half was dominated by MONSTA vocalist Skaar as he gave a live vocal performance of their latest self titled EP . It took Skaar one song ('Messiah') to properly warm up his voice/groove and once he did you really felt his passion for this music flowing through him as he gave a solid performance of 'Where did I go' and my favourite 'Holdin' On'. As soon as Skaar left the stage Rufio and Rocky ended their set with Skrillex and Nero's remix of 'Holdin' On' which was a real crowd pleaser.

Nick Thayer ended the night with a take-no-prisoners high energy set that showcased some of the best tracks in electro, dubstep, moombathon, with a little hip hop sprinkled in. Although Skrillex wasn't present at the Ottawa show, Nick Thayer kept his music alive by dropping many of his hits including 'Breaking a Sweat', 'Make it Bun Dem', and. 'Bangarang'.

*Update: Following the release of this article Nick Thayer informed me on Twitter that "at least 50% of what I played was brand new unreleased material from me".  Admittedly I had tried and failed to ID many tracks from Nick Thayer's set, which puzzled me at first, but makes perfect sense now following our Twitter exchange. According Nick Thayer, the yet unreleased track names are 'Worlds Collide', 'Rebirth', 'Dosimeter' with Crystal Method. Thanks for the information Nick!

Nick Thayer

The OWSLA Tour offered something a little different than your standard EDM event as this half of the tour showcased artists not often seen in Canada. Hopefully the OWSLA Tour is only the beginning of something bigger as this will help pave the road for more eclectic names to be booked in North America.

You can still catch the OWSLA Tour in Toronto tomorrow night at the Wrongbar and on Thursday, November 15th in Montreal at the Telus Theatre.