Michael is a 21 year old DJ/Producer originally from Haiti and over the past year has garnered a lot of attention thanks to his beautifully constructed remixes and originals. Having already generated the foundations of an impressive discography with memorable tracks released first on Revealed and many on Dirty South's Phazing, Michael Brun is one to watch. So I hope you enjoy this following interview with a strong talent ready for the year to come, enjoy:
You have an interesting past, tell the readers about it.
Michael Brun: I started producing around 15-16 years old and I always loved house music. I was really into house music since I was about 10. It really appealed to me because it was melodic, very energetic, and it was one of the styles of music that made people want to move. It also wasn't that big at Haiti at that point and I started producing when I was living over there. I went online and joined forums to try to find as much information as possible about the music. That's how I found out about Ableton which is a program that I use now. I started playing piano when I was 6 and I also started playing guitar, violin, and I sang as well. So I have a musical background that was very useful when I started to produce. At around 16 years old I started to make bootlegs and mashups that were probably pretty bad. (laughs) But I kept on going and eventually got a lot of support from people I found online who were also producing so I met a lot of producers that way. The first track that got attention was my first single called “Dawn” which was signed on Revealed Recordings in December 2011. It just went from there.
What was the first house record that really got you hooked?
Michael Brun: The one that got me into house music in the first place was “Satisfaction” by Benny Benassi, but the track that made me want to produce the Axwell remix of “2 Million Ways” by C-Mos. I just thought that it was so well done and it really appealed to me. I don't know how he did it but I wanted to find out and do it on my own.
Define the Michael Brun style
Michael Brun: I try to infuse as much melody as possible and keep the song writing aspect of production at the core. I feel like a lot of electronic music right now is focused on making it work in club or at a festival which is really loud and crazy – and I think that's cool. But for me I didn't really go to clubs when I was younger so I have a different approach from my instrumental background to listening to 80s music and rock that my parents listened to. My approach is always on getting the melody right. But I don't actively try to make a club song as I just try to make music that I like.
Do you always try to incorporate your instrumental background into your song making, especially with your piano work?
Michael Brun: Absolutely. I try to keep as many organic sounding instruments in the production. In some remixes that I've done, the piano has been the central element. Sometimes I get an original idea for a track from the guitar and then I transfer that into the program note by note. (laughs)
My studio setup is very simple, I didn't have a midi keyboard until 2 weeks ago. I was doing everything by just clicking on the computer with headphones. So it's been really really basic and that's what I've been doing. I'm comfortable with it and I do it really fast. I get an idea in my head and I just transfer it that way.
So you were very much a laptop producer until very recently?
Michael Brun: Yeah. I think the programs are so powerful and there's so much you can do with your laptop. Once you have a good processor, RAM, and you know your program – you can get a lot done. You can come up with melodies by only singing as I try to keep that stripped down element within my tracks.
Tell me about your relationship with Dirty South and Phazing Records.
Michael Brun: I got into contact with Phazing back in January 2012 and they signed my first track called “Rise”. Two months after they signed the track they invited me down to Ultra in Miami and I played two shows with Dirty South over there. That's where I met Dirty South for the first time as well as my manager. Looking back, it was a really important trip. They were really helpful in pushing my stuff and getting my music out to the wider public.