Both Veld & FVDED Mark Change For Canada's Dance Music Festival Circuit

By Ryan Hayes

With the recent release of the Veld's 2020 lineup an official shift has begun within the Canadian festival landscape. This year Veld will be helmed by four powerhouse dance music artists; Armin Van Buuren, Illenium, Marshmello, & Martin Garrix. This slate of headliners marks the first time that Veld has not had a major rap act gracing the top of their roster since 2015 when the festival was still, for all intents and purposes, a dedicated EDM festival; the 2015 lineup did present patrons with two rap acts, A$AP Rocky and I Love Makonnen.

In the four years that followed (2016-2019) Veld became a full on hybrid festival riding the wave of rap and hip-hops integration in to the world of dance music, in an attempt to feel fresh and relevant. During this time period festival headliners included;  Travis Scott, Future, Migos, and most recently Cardi B.

However, it takes more than a few big names to make a festival a true hybrid. 2020 marks Veld's lowest percentage of rap/hip-hop acts since 2016; over a 10% drop in non-EDM performers when compared to the 2019 iteration. Currently under 20% of the festivals scheduled talent is drawn from outside of the realm of EDM.

Outside of Veld, in the Canadian festival circuit as a whole, there has been a reshuffling of dance music talent.  House music leaning acts continue to increase their presence while EDM artists who focus more heavily on integrating rap in to their sets have begun to wane.  This shift can be seen on top of the diminishing power of rap and hip-hop artists, both as a result, and a contributing factor, to the continued evolution of the festival landscape.

The major question now is, will the 2020 festival season be more successful than 2019—and if it is, does that mark the end of the major push for hybrid festivals?

Coupled with the evolution away from rap integration is the deconstruction of the headliners reign of power. This year lineups are bigger than ever—Veld's 2020 lineup is, by far, it's largest offering to date in terms of pure numbers. Within the festival circuit there is a trend away from spending all your money on headliners, and through these means focusing on a really flushed out middle tier of talented dance music artists.

Nowhere is the shift away from rap and towards an EDM heavy mid tier more apparent than BC's FVDED in the Park.  This year FVDED's  heavy hitters (outside of their three headliners) include; Alison Wonderland, Alesso, Black Tiger Sex Machine, Dave, and Gorgon City. Four of the aforementioned acts are EDM artists, and that is a major shift compared to 2019 when three out of five of the festivals largest second tier artists were rappers, and one of two EDM artists had strong hip-hop underpinnings; Tory Lanez, French Montana, Louis The Child, RL Grime, 6lack.

FVDED also supports Veld's move away from a hybrid focused event. Although FVDED has roughly the same amount of rap/hip-hop acts as it always has, the 2020 iteration marks the events most EDM artists since 2017; and the first time the festival has had a dance music headliner on each night since Jack U and Zedd headlined in 2016.

Both Veld and FVDED stand as strong evidence that 2020 marks a turning point. As EDM continues to drift out of the pop-culture ethos the fans who have stuck with the genre are evolving, and finding their own particular niche soundscape. Where this road will ultimately lead is unclear—however—this year seems to be proving pivotal in the shift towards more dance music centric events. Escapade, the dance music diehard, sold out in days, Veld dropped it's rap headliners, and FVDED refocused it's budget on dance music.

Who Reigns Supreme in the Canadian Dance Festival Circuit

Which festival reigns supreme?

By Ryan Hayes

The ever changing landscape of dance music continues to shape billings throughout the festival circuit, and 2019 has been no exception for the stable of Canadian electronic festivals. Over the past few years the Canadian festival market has taken a substantial hit—booking costs combined with a suffering Canadian dollar has resulted in the collapse of more than one juggernaut festival. While every 2019 Canadian festival has accomplished something simply by surviving to live another year the are undoubtedly standouts for the upcoming summer season.  

The Cultural Mainstay:

 Shambhala

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 Starting off on the West Coast, Shambhala remains a pinnacle of what a boutique festival can offer. From its humble beginnings to 2019's unparalleled offering it has managed to stay faithful to it's core intentions of authenticity within the world of corporate dance music. Standouts include Diplo & Mark Ronson's collaborative project Silk City, a rare set by Chris Lake & Chris Lorenzo as Anti Up, and what is sure to be a unique set from Kaskade—but the heart of the festival remains with the Shambhala Favourites lineup; which, as always, is stacked with popular fan legacy artists. To this day the festival continues to be a truly singular experience curated for dance music purists, and those looking for a bucket list experience.

 While Shambhala continues its reign as the preeminent celebration of dance culture within the Canadian (and global?) scene, those who can't make it out to Salmo BC, have Ever After. Over the past five years Ever After has been making a play for Shambhala vibes and offers heavy hitting headliners Excision, Illenium, and Kill The Snails (Kill the Noise & Snails).

 The Hybrid:

 Veld

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 Over the past few years Toronto's Veld Festival has vied for the top spot in the hybrid category and for its 2019 edition it has successfully stepped up to the plate. Perhaps the most important factor here; although Veld has evolved in order to stay modern it has also remained as true as possible to its history as a purely dance music festival. Making his second Canadian appearance in year's Skrillex stands tall, and the undeniable draw of dance music juggernauts Tiesto and Kygo solidifies Veld's unbeatable stable of headliners. Add Cardi B, Kodak Black, Boogie, and a handful of other rappers to the mix and Veld's fusion of dance music and rap is perfect representation of what a hybrid festival can be.

 While Veld has provided dance music festival-goers with a varied slate offering them a taste of the rap world this years FVDED lineup has veered heavily towards rap/r&b. For West Coast festival lovers unable to attend Veld, FVDED still provides dance music favourites like Zedd and RL Grime; but four of its top five billings herald from the rap/r&b world, of which over fifty percent of their lineup is comprised. View this year's iteration as a hip-hop festival for fans looking for a little dance with their rap.

The New King:

Escapade

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Although Veld's lineup is so strong that it almost challenged Escapade for this year's Canadian dance music crown, it is impossible to ignore the power and diversity of Escapade's lineup—easily the closest a Canadian dance music event can come to achieving those Ultra/EDC feels. Bolstering four curated stages, including; Deadbeats from Canadian bass legends Zeds Dead, The House Party headlined by Danny Tenaglia-b2b-Tiga, and Ferry Corsten presents Unity...offering the best trance lineup of the year. From here you have two of the most sought after back-to-back collaborations currently booking festivals—the now fabled No Redemption from Tchami X Malaa, and the far more rare (but...oh,so-good) Zeds Dead-b2b-Jauz. With Martin Garrix and DJ Snake headlining the festival it truly offers festival-goers with an open mind a world class smattering of ever genre of dance music. House and trance legends, through bass maestros, and main stage titans—come prepared to be surprised; the talent across the board is world class. 

Regardless of your personal taste this summer has something to offer dance music fans of all genres, it is just a matter of finding the festival that fits your personal tendencies.

Dash Berlin's live set at Ultra (Video)

(VIA ULTRA)

Dash Berlin is an incredible showman. In every set he gives it his all behind the decks and has become on of the most consistently good DJs in the business today. His style is not quite trance or big room, but a blend of it all with more vocals and melody. It's a Dash style that let's you go crazy on the dancefloor, yet giving enough vocal breaks that let's you feel the music.