Foundation was meant to represent a haven for house music fans, a series thoughtfully curated to explore sub-genres and draw upon the fandom of long-time dance music lovers. The result was a full circle return to the early pre-boom days of EDM. Foundation feels both big in stature and deeply personal. An energy has returned to the scene, and it is easy for fans to get caught up in the notion that they are on the cusp of something larger.
The entire event revived an atmosphere that has largely been dormant in Vancouver for over a decade. A spark not felt since the days of massive 19+ spectacles at Vancouver Convention Centre. To return to the significance of that era is both a testament to the current state of dance music and Blueprint’s acumen as a promoter.
Although the 19+ designation may not seem like a defining characteristic of the event—the lineup curation remained the dominating factor—it markedly pushed the median age above those in attendance at Fisher and helped establish the kind of positive-inclusive energy the dance music scene has always attempted to advocate for.
While volume one was rightly headlined by Chris Lake, Easter long weekend was helmed by John Summit. As an auteur, Summit perfectly embodies the new wave of dance music currently breathing life back into the scene. House music with a smattering of dark driving techno dominated Summit’s set and his hold over the audience was palpable. Unlike Chris Lake who had to work within a standard festival runtime Summit was given a two-hour set, a needed alteration by Blueprint. The extra hour allowed Summit time to stretch his legs; a necessity for an artist like Summit who doesn’t adhere to traditional genre barriers.
